“The Pale Horse” is the 4th and final installment in Bluetech's The 4 Horsemen of the Electrocalypse series. Ranging from dark detroit influenced electro and braindance to IDM and melodic techno explorations, this EP puts an endcap on the analog and modular based releases with the classic sounds of a 303 providing lead duties.
These 4 EPs reference the Biblical bringers of the Apocalypse. Drawing inspiration from the classic fantasy art of Moebius, Beksinki and Syd Mead, “The Pale Horse” dances around eschatological tropes with tongue firmly placed in cheek. Featuring gorgeous artwork from concept designer Justin Totemical, each release in the series will present a facet of the visionary prophetic current.
“Emerging from a long period of creative drought and personal struggle, I was seeking a way to frame my own experience in a larger meta-narrative. Navigating through loss and painful transformation always feels apocalyptic, so I wanted to take the opportunity to not only frame my heartbreak in a larger context but also to really laugh at myself and experience the high drama of being human with a sense of humor. The Revelations of our little lives feel like the end of everything, and looking out of our windows of meat and bone we feel the ground rumble with the approach of the 4 Horsemen.
On a larger scale, it’s easy to draw parallels between the realities of modern life and the harbingers of ‘the end’ in John’s symbolic vision of the end of the Roman Empire. We are in the grasp of a dying empire watching the destruction of our biosphere, and yet… every seed must go to ground before new life emerges.
This series of releases is about watching it all burn with a smile, embracing the death of the self as an act of beauty in order to grow. By aligning my own story and our collective story with a prophetic vision of epic proportions, I was able to to regain my joy and (en)lighten my life.”
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One of my favorite psydub/psybient/ progressive electronic albums and a huge influence for me as an electronic musician.
I love all the influences and instruments used in this album. The dub-basslines are magnificent. Mssr Renard